LANDSCAPE WITH DEVICES
August 28 – September 4, 2014
Hours: Tue-Sat 12-6pm
Opening Reception:Thursday, August 28, 6-8pm
Closing Reception:Thursday, September 4, 6-8pm
Today, our experience of the environment is modified by the use of technology and confined to urban planning. Our ever-growing communities no longer allow for an undomesticated state of wilderness. Technology functions as a tool with which we relate to our habitat, enabling us to select, loop and screen our experience of the natural phenomena obscured by the cityscape. Our computers and cell phones have become cozy portals into nature.
Landscape with Devices, opening on August 28th, 2014 at FRIDMAN GALLERY, presents the works of three artists who reinterpret nature for the digital age.
Noa Dolberg’s Gadgets For the Cave Man II, is a representation of a living campfire, created with flickering light bulbs and the crackling sounds of fire. The gallery space turns into a cave, recalling the surroundings of early humans during the night, in a safe and intimate way. Phillip Stearns’ multimedia installation proposes a parallel view of the idyllic sunset, one that is altered and transformed by computer technology. A random image of a sunset is repeatedly scanned and processed pixel-by-pixel, while simultaneously being projected onto gallery walls. Esther Ruiz’s sculptural works of concrete, neon and plexiglass create fictional landscapes. Various sized totems of self-contained narratives, they are objects of an imaginary natural world — past, future and outer-planetary.
Seen together, these artists’ works become tools for creating landscapes of convenience. Nature is no longer noisy, scary, isolated or removed from us; it can now be switched on and off, rearranged and customized until it becomes our intimate playground.
Listening to the Ocean on a Shore of Gypsum Sand is a collaborative project between Gene Kogan, Phillip Stearns, and Dan Tesene. Seashells are 3d printed from algorithmically generated forms for the sole purpose of listening to the “ocean”. The project questions the role of experience in the mediation of the virtual world to the real world and visa versa.
For those of us who have had the experience of listening to the sound of the ocean in actual seashells, it is a questions of lived experience shaping an approach, not only to the object (or world) at hand, but how it is perceived and acted upon. Are we to trust these shells? Do we seek out natural shells for comparison?
To those for whom their first experience of listening to the “ocean” through the digitally produced shell, the question becomes one of how the first encounter with a virtualized and simulated reality shapes the experience of lived space. This virtual shell is all I know of the real, until I encounter those found in nature—and when I see this natural shell, what then is my experience of? More broadly, how does mediated reality form our preconceptions of the world?
For some, these questions seem obvious—we may even have convinced ourselves that we have this all figured out. We are aware of the possibility that the virtual world and real world are two interacting identities, distinct ideas that maintain their individuality despite their mutual influence on one another. There is, however, a possibility that this distinction is fading with younger generations, as technologically mediated experiences permeate childhood. I wonder about the effect of this as they grown into the world.
This project will be on view at Soundwalk 2012, a sound art festival in Long Beach, CA on September 1st 6-10pm.
“Selected by blog network and social media platform Tumblr, in conjunction with Paddy Johnson, founding editor of Art Fag City, Hrag Vartanian, founder of Hyperallergic, Dave Harper, curator at BAM (Brooklyn Academy of Music), Jenny Moore, assistant curator at New Museum, and David Goerk gallery dealer at The Pace Gallery.” –Artists Wanted Website
My work will be displayed on LCD billboards in Times Square on Monday June 18th from 7-11pm. If you’re in NYC, come join the celebration at Broadway between 42nd St & 44th St!
“free103point9 hosts, “Transmittal,” a transmission arts exhibition of local New York artists and international radio artists, in Catskill, New York this spring. “Transmittal” is curated by Galen Joseph-Hunter, free103point9’s Executive Director and author of “Transmission Arts: Artists and Airwaves” (PAJ Publications: 2011.) Works include video, sound, radio, installation, performance, and work-on-paper. An opening for “Transmittal” will be held Saturday, April 28 from 5-7 p.m., and the exhibition is open from Apr. 27 through June 1 at the Greene County Council on the Arts Gallery at 398 Main St. in Catskill.” – free103point9.org
I’ll be showing Deluge, a light and sound sculpture consists of 35 hand made modules, each containing a transistor receiver that generates white noise, an amplifier w/ speaker, and 12 LEDs. Static from a broad spectrum of unused radio frequencies is gently amplified through a small speaker, and visualized by a string of LEDs. Together the cloud of individual modules create the impression of rain.
Coming up on Saturday October 1st in Long Beach, CA: Soundwalk 2011
“SoundWalk is an ear-oriented art event produced annually by the Long Beach artist group, FLOOD. The evening operates under the concept of a five-hour audioscopic experience as provided by sound art located in various indoor and outdoor spaces situated in Downtown Long Beach. The artwork combines, in multiple ways, a wide range of media as well as other interplayful sensory elements. There are sculptures, environments, installations, both interactive and passive, as well as scheduled performances.” —source: http://soundwalk.org/
For Any Number of Brass Instruments: 2011-2012 (For Radu Malfatti) will be included amongst the 42 different installations and artworks. Scores will be available at the information desk for the event. The composition is text-based, easy to read, and anyone can participate, even if you do not have an instrument. If you do play a brass instrument, please bring it and join in the year-long performance. You may perform this composition wherever you are and whenever you wish, so long as it’s before New Years 2012.
The presentation and exhibition opening is at 6:30pm EST on July 26th. ISCP is located at 1040 Metropolitan Avenue in Brooklyn, NY.
More information about the event can be found here.