I’m teaching my techniques and tricks for Visual Glitch Art in the coming weeks. See you in class!
3rd Ward, an awesome multi-disciplinary workspace and education center where I teach circuit classes, is hosting their annual Holiday Craft Fair.
12:00 – 6:00pm
195 Morgan Ave Brooklyn, NY 11237
I’ll have a selection of over 20 Glitch Blankets and will be offering prints as well as 5% discounts for members of 3rd Ward and followers of Year of the Glitch (if you’re both, take an additional 5% off the first 5% discount!). You must have proof of your 3rd Ward membership, or the Year of the Glitch code to receive either discount.
Not a follower of Year of the Glitch? Go here!
Listening to the Ocean on a Shore of Gypsum Sand is a collaborative project between Gene Kogan, Phillip Stearns, and Dan Tesene. Seashells are 3d printed from algorithmically generated forms for the sole purpose of listening to the “ocean”. The project questions the role of experience in the mediation of the virtual world to the real world and visa versa.
For those of us who have had the experience of listening to the sound of the ocean in actual seashells, it is a questions of lived experience shaping an approach, not only to the object (or world) at hand, but how it is perceived and acted upon. Are we to trust these shells? Do we seek out natural shells for comparison?
To those for whom their first experience of listening to the “ocean” through the digitally produced shell, the question becomes one of how the first encounter with a virtualized and simulated reality shapes the experience of lived space. This virtual shell is all I know of the real, until I encounter those found in nature—and when I see this natural shell, what then is my experience of? More broadly, how does mediated reality form our preconceptions of the world?
For some, these questions seem obvious—we may even have convinced ourselves that we have this all figured out. We are aware of the possibility that the virtual world and real world are two interacting identities, distinct ideas that maintain their individuality despite their mutual influence on one another. There is, however, a possibility that this distinction is fading with younger generations, as technologically mediated experiences permeate childhood. I wonder about the effect of this as they grown into the world.
This project will be on view at Soundwalk 2012, a sound art festival in Long Beach, CA on September 1st 6-10pm.
I’m offering these as rewards on the Glitch Textiles kickstarter campaign at the $225 level.
Last weekend I participated in LUMEN 2012, a light art festival which took place this year at the Atlantic Salt Co. on Staten Island. Yes, it is a uniquely Staten Island event and experience, and quite possibly the most diverse and simultaneously cohesive show I take part in. The crowd ranges from Williamsburg hipsters to Staten Island families, and the art represents every discipline from action painting, performance, video, audio-visual and more abstract light based forms (projections into clouds of smoke!).
My contribution to the event was a simplified version of a project I submitted to BAM’s Public Art Project towards the end of last year. You can find video documentation of Impact Study No. 1 here.
“Selected by blog network and social media platform Tumblr, in conjunction with Paddy Johnson, founding editor of Art Fag City, Hrag Vartanian, founder of Hyperallergic, Dave Harper, curator at BAM (Brooklyn Academy of Music), Jenny Moore, assistant curator at New Museum, and David Goerk gallery dealer at The Pace Gallery.” –Artists Wanted Website
My work will be displayed on LCD billboards in Times Square on Monday June 18th from 7-11pm. If you’re in NYC, come join the celebration at Broadway between 42nd St & 44th St!
“free103point9 hosts, “Transmittal,” a transmission arts exhibition of local New York artists and international radio artists, in Catskill, New York this spring. “Transmittal” is curated by Galen Joseph-Hunter, free103point9’s Executive Director and author of “Transmission Arts: Artists and Airwaves” (PAJ Publications: 2011.) Works include video, sound, radio, installation, performance, and work-on-paper. An opening for “Transmittal” will be held Saturday, April 28 from 5-7 p.m., and the exhibition is open from Apr. 27 through June 1 at the Greene County Council on the Arts Gallery at 398 Main St. in Catskill.” – free103point9.org
I’ll be showing Deluge, a light and sound sculpture consists of 35 hand made modules, each containing a transistor receiver that generates white noise, an amplifier w/ speaker, and 12 LEDs. Static from a broad spectrum of unused radio frequencies is gently amplified through a small speaker, and visualized by a string of LEDs. Together the cloud of individual modules create the impression of rain.
Phillip Stearns. Click “Collect Me” to help me win $10,000 and a show in the most immense exhibition of art in New York City : Art Takes Times Square.
This two-night Swedish Invasion is an ultimate melange of Sweden’s top experimental music performers. Night one featured surreal delay washed neo-psychedelia by The Magic State; technical and intellectual audio-visual pursuits by Kathy Hinde & Daniel Skoglund; a powerful spoken word piece by Leif Elggren; raw, harsh noise from Alter of Flies and Sewer Election reminiscent of the Japanese noise scene; and a delicate performance from Hanna Hartman that evoked the crunching of powdered snow underfoot in the dead of the cold and dark Swedish winter.
Night two was a worthy follow up to the first night of performances. Mats Lindström and Anna Koch opened with a hypnotic performance, using fluorescent tubes to produce the sonic material for a stark music and dance piece. CM von Hausswolff countered Lindström’s frenetic flickering of light sound with a slow crescendo of drones and voice. The following set by Ikue Mori and Ida Lundén pitted laptop performance against homebrew and wearable handmade electronics. Mats Gustafsson opened his scintillating set with gasping and disjointed extended melodic lines on the sax and closed with an earth moving onslaught of distorted drones. The night ended on a trance induced high following the theatrics of Daniel Higgs leading The Skull Defekts with special guest C. Spenser Yeh.
“The two-night program, presented by Issue Project Room, iDEAL, EMS, WELD and the Consulate General of Sweden NYC, will feature a huge lineup of some of Sweden’s most exciting experimental musicians. Performances will include collaborations between U.S. and Swedish artists as well as a cross-section of Swedish groups, such as the prolific The Skull Defekts (joined by C. Spencer Yeh), and saxophonist Mats Gustafsson, one of the most important free jazz and improv musicians working today. Leif Elggren will open the event with a reading of his “The North is Protected.”” — ISSUE Project Room
Date: Saturday, October 8th 2011
Time: 8pm Doors
Location: 319 Scholes @ 319 Scholes St. Brooklyn, NY 11206
Tickets: $10 at the door
Description: Leisure, a concert series produced by 319 Scholes, welcomes special international guests Tom Verbruggen (Toktek) and Simon Berz in a program curated by Phillip Stearns featuring performances by locals TwistyCat, Jeff Donaldson Vs. Phil White, Phillip Stearns. The evening promises to be a “spastic, sweaty and intense” display of electronic music from a wide array of sensibilities spanning drone, noise, glitch, and ambient genres.
Coming up on Saturday October 1st in Long Beach, CA: Soundwalk 2011
“SoundWalk is an ear-oriented art event produced annually by the Long Beach artist group, FLOOD. The evening operates under the concept of a five-hour audioscopic experience as provided by sound art located in various indoor and outdoor spaces situated in Downtown Long Beach. The artwork combines, in multiple ways, a wide range of media as well as other interplayful sensory elements. There are sculptures, environments, installations, both interactive and passive, as well as scheduled performances.” —source: http://soundwalk.org/
For Any Number of Brass Instruments: 2011-2012 (For Radu Malfatti) will be included amongst the 42 different installations and artworks. Scores will be available at the information desk for the event. The composition is text-based, easy to read, and anyone can participate, even if you do not have an instrument. If you do play a brass instrument, please bring it and join in the year-long performance. You may perform this composition wherever you are and whenever you wish, so long as it’s before New Years 2012.
Please show your support by voting for my portfolio in 3rd Ward’s Solo Show Competition by clicking HERE. You can vote once a day. The works are selected images from the DCP Series and are created using various circuit bent Kodak DC series cameras.
Maker Faire 2011 in NYC is chock full of some amazing projects. The sheer quantity and variety of makers showcasing work is staggering. To see everything is definitely more than a two day affair. This year I was invited to present a self-built solar powered music making system for 3rd Ward, where I currently teach the art of making DIY Synthesizers and small scale solar charging systems.
This solar music making station (Protochiptune Project) is powered by a Voltaic Systems 15 Watt panel connected to a 7.5Ah 12V Seal Lead Acid Battery. A 10A solar charge controller does all the power management to drive the music synthesizer’s three 5 Watt amplifiers. The microchips used are from the 4000 series CMOS digital logic family, including such chips as: hex inverting buffer (40106), 12-bit binary counter (4040), 8-to-1 selector switch (4051), quad 2-input AND gate (4081), and divide by n counter (4018). These chips are used together to produce a range of pitches and rhythms that can be sequenced or programmed by moving jumper cables on the breadboard, making a mini patchable modular synth.
At Maker Faire, kids were really attracted to the crazy jams coming out of this thing. Those who were bold enough were allowed to move some of the jumpers around on the board and make up their own musical patterns.
Get ready! If you’re interested in learning how to make your own electronic musical instruments (and live in New York), I’m going to be offering my DIY Synthesizer class at 3rd Ward. This will be a 4-class session taught on Tuesdays September 13, 20, 27, October 4 in the evenings from 7p to 10p.
We’ll start with the basics of electronics and move quickly into building very simple sound circuits. In addition to learning basic electronics concepts, how to identify components, what those components do, and how to read and write schematics you’ll take home your own self-built synthesizer based on circuits and applications taught during the course. For more details and course signup, click here.
This course has been offered at Harvestworks twice before. Here is some video of really incredible student work done during the course:
The presentation and exhibition opening is at 6:30pm EST on July 26th. ISCP is located at 1040 Metropolitan Avenue in Brooklyn, NY.
More information about the event can be found here.